Da Vinci’s Treasure
2021年11月26日Register here: http://gg.gg/x1eox
..Leonardo’s masterful technique
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First Deposit Only. Play free slots penny games machines on lines. Deposit: €20, max. WR of 60x Bonus amount (only Slots count) within 30 days. Max bet is 10% (min €0.10) of the Bonus amount or €5 (lowest amount applies). Da Vinci’s Treasure is a 5 reels and 3 lines slot with lots of fun features and 25 paylines that can award you wins of 48,000x your stake. This game has a high volatility, with the RTP set at 96.53%. Free cash bonus no deposit casino uk 2019. Your good friend John Hunter is pretty generous, right?Da Vinci Treasure Slot FreeAccording to Louvre Curator Jean-Pierre Cuzin, ’The entire history of portraiture afterwards depends on the Mona Lisa. If you look at all the other portraits – not only of the Italian Renaissance, but also of the seventeenth to nineteenth centuries – if you look at Picasso, at everyone you want to name, all of them were inspired by this painting. Thus it is sort of the root, almost, of occidental portrait painting.’
In a break with the Florentine tradition of outlining the painted image, Leonardo perfected the technique known as sfumato, which translated literally from Italian means ’vanished or evaporated.’ Creating imperceptible transitions between light and shade, and sometimes between colors, he blended everything ’without borders, in the manner of smoke,’ his brush strokes so subtle as to be invisible to the naked eye.
Leonardo was fascinated by the way light falls on curved surfaces. The gauzy veil, Mona Lisa’s hair, the luminescence of her skin – all are created with layers of transparent color, each only a few molecules thick, making the lady’s face appear to glow, and giving the painting an ethereal, almost magical quality.
’Today’s art critics call attention to the painting’s mystery and harmony,’ says Cuzin. ’But the first art historians to describe it emphasized its striking realism, pointing out ’the lips that smile’ and ’the eyes that shine.’ Giorgio Vasari, for example, wrote in his early biography of da Vinci, Lives of the Painters: ’As art may imitate nature, she does not appear to be painted, but truly of flesh and blood. On looking closely at the pit of her throat, one could swear that the pulses were beating.’
The realism of his painting is a result of Leonardo’s diverse scientific observations. From the study of human anatomy he developed a mathematical system for determining size in space, perspective that is incorporated in the way Mona Lisa’s torso, head and eyes are each turned a little more toward the viewer. Da Vinci also observed differences between the subject and objects in the background, and used aerial perspective to create the illusion of depth: the farther something is in the distance, the smaller the scale, the more muted the colors and the less detailed the outlines.
’Leonardo has studied the sky, the elements, the atmosphere, and the light. He takes the approach of a scientist, but translates it into the painting with superb delicacy and finesse. For him the painting doesn’t count. What counts is the knowledge,’ observes Cuzin. ’In the same painting we move from soft places like the clouds to areas of extreme intricacy and fine detail. For example, around the neckline of the lady’s dress we have delicate interlacing embroidery. The contrast of these different areas creates a cohesion that is very rare in painting.’ All this we now take for granted. The Mona Lisa looks so natural, and so familiar, that we forget how innovative the painting was at the beginning of the sixteenth century.Even the use of landscape as background was a departure from tradition; Leonardo saw creative and fictional possibilities in it. ’The background may be a representation of the universe, with mountains, plains and rivers. Or possibly it is both reality and the world of dream. One could suppose that the landscape doesn’t exist, that it is the young woman’s own dream world.’ (Cuzin)
And one could suppose she dreams sweet dreams, and perhaps that is why she smiles..
*Da Vinci’s Treasure Slots. Leonardo Da Vinci was ahead of his time in many ways. While the Renaissance was an enlightened period by itself, its leading mind was even more advanced! People found prototypes for flying machines and make-shift tanks within his sketchbooks, though obviously limited by his time period.
*Da Vinci’s Treasure Game Features The adventure begins from a minimum bet of € 0.25 and can go up to a maximum amount of € 5. The great artist himself appears as the wild symbol in the game, substituting all symbols in a winning combination except for the cryptex symbol (The Da Vinci Code film, anyone?), which is the bonus symbol.Da Vinci Treasure Movie
Mona missing | the crime | the suspects | Mona’s identity
Leonardo’s technique | myth of Mona Lisa | Mona’s return | timeline
Treasures Homepage | The Series | Education | Home Video | Soundtrack
Crossword Puzzle | Producers’ Notebook | Site Map
Register here: http://gg.gg/x1eox
https://diarynote.indered.space
..Leonardo’s masterful technique
*Da Vinci Treasure Slot Free
*Da Vinci Treasure Movie
First Deposit Only. Play free slots penny games machines on lines. Deposit: €20, max. WR of 60x Bonus amount (only Slots count) within 30 days. Max bet is 10% (min €0.10) of the Bonus amount or €5 (lowest amount applies). Da Vinci’s Treasure is a 5 reels and 3 lines slot with lots of fun features and 25 paylines that can award you wins of 48,000x your stake. This game has a high volatility, with the RTP set at 96.53%. Free cash bonus no deposit casino uk 2019. Your good friend John Hunter is pretty generous, right?Da Vinci Treasure Slot FreeAccording to Louvre Curator Jean-Pierre Cuzin, ’The entire history of portraiture afterwards depends on the Mona Lisa. If you look at all the other portraits – not only of the Italian Renaissance, but also of the seventeenth to nineteenth centuries – if you look at Picasso, at everyone you want to name, all of them were inspired by this painting. Thus it is sort of the root, almost, of occidental portrait painting.’
In a break with the Florentine tradition of outlining the painted image, Leonardo perfected the technique known as sfumato, which translated literally from Italian means ’vanished or evaporated.’ Creating imperceptible transitions between light and shade, and sometimes between colors, he blended everything ’without borders, in the manner of smoke,’ his brush strokes so subtle as to be invisible to the naked eye.
Leonardo was fascinated by the way light falls on curved surfaces. The gauzy veil, Mona Lisa’s hair, the luminescence of her skin – all are created with layers of transparent color, each only a few molecules thick, making the lady’s face appear to glow, and giving the painting an ethereal, almost magical quality.
’Today’s art critics call attention to the painting’s mystery and harmony,’ says Cuzin. ’But the first art historians to describe it emphasized its striking realism, pointing out ’the lips that smile’ and ’the eyes that shine.’ Giorgio Vasari, for example, wrote in his early biography of da Vinci, Lives of the Painters: ’As art may imitate nature, she does not appear to be painted, but truly of flesh and blood. On looking closely at the pit of her throat, one could swear that the pulses were beating.’
The realism of his painting is a result of Leonardo’s diverse scientific observations. From the study of human anatomy he developed a mathematical system for determining size in space, perspective that is incorporated in the way Mona Lisa’s torso, head and eyes are each turned a little more toward the viewer. Da Vinci also observed differences between the subject and objects in the background, and used aerial perspective to create the illusion of depth: the farther something is in the distance, the smaller the scale, the more muted the colors and the less detailed the outlines.
’Leonardo has studied the sky, the elements, the atmosphere, and the light. He takes the approach of a scientist, but translates it into the painting with superb delicacy and finesse. For him the painting doesn’t count. What counts is the knowledge,’ observes Cuzin. ’In the same painting we move from soft places like the clouds to areas of extreme intricacy and fine detail. For example, around the neckline of the lady’s dress we have delicate interlacing embroidery. The contrast of these different areas creates a cohesion that is very rare in painting.’ All this we now take for granted. The Mona Lisa looks so natural, and so familiar, that we forget how innovative the painting was at the beginning of the sixteenth century.Even the use of landscape as background was a departure from tradition; Leonardo saw creative and fictional possibilities in it. ’The background may be a representation of the universe, with mountains, plains and rivers. Or possibly it is both reality and the world of dream. One could suppose that the landscape doesn’t exist, that it is the young woman’s own dream world.’ (Cuzin)
And one could suppose she dreams sweet dreams, and perhaps that is why she smiles..
*Da Vinci’s Treasure Slots. Leonardo Da Vinci was ahead of his time in many ways. While the Renaissance was an enlightened period by itself, its leading mind was even more advanced! People found prototypes for flying machines and make-shift tanks within his sketchbooks, though obviously limited by his time period.
*Da Vinci’s Treasure Game Features The adventure begins from a minimum bet of € 0.25 and can go up to a maximum amount of € 5. The great artist himself appears as the wild symbol in the game, substituting all symbols in a winning combination except for the cryptex symbol (The Da Vinci Code film, anyone?), which is the bonus symbol.Da Vinci Treasure Movie
Mona missing | the crime | the suspects | Mona’s identity
Leonardo’s technique | myth of Mona Lisa | Mona’s return | timeline
Treasures Homepage | The Series | Education | Home Video | Soundtrack
Crossword Puzzle | Producers’ Notebook | Site Map
Register here: http://gg.gg/x1eox
https://diarynote.indered.space
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